Showing posts with label Hip Hop. Show all posts
Showing posts with label Hip Hop. Show all posts

Friday, January 22, 2016

King Push-Darkest Before Dawn: The Prelude by Pusha T| A M. Smyth Decoded Review

Hello and welcome back to Decoded where we take your favorite content across all media, break them down piece by piece, and see what’s left standing. I’m Michael Smyth and let’s get started with today’s review of Pusha T’s 2015 album, “King Push – Darkest Before Dawn: The Prelude”

HISTORY:

Pusha T was born May 13, 1977 in The Bronx borough of New York City under the name Terrence Thornton, this would not last forever as Terrence would eventually relocate to Norfolk, Virginia.  Pusha T alongside his brother Gene, going by No Malice, initially gained notoriety as the hip hop duo Clipse and with the help of record producer Pharrell Williams, signed to Elektra Records in 1997. This would lead to Terrence’s featuring on the singles “Good Stuff” by Kelis in 1999 and “Run Away (I Just Wanna Be With U) by Nivea in 2001.


Real progress would come in 2004 when the Clipse duo would launch their own record label imprint ‘Re-Up Records’ which led to the inception of the group, “Re-up Gang” with additions Ab-Liva and Sandman. Throughout the next 7 years much would change from the release of “Hell Hath No Fury,” gaining critical acclaim for the duo, a hiatus in 2009, and Pusha T signing to label ‘GOOD Music’ which led to his featuring on Kanye’s stellar rebirth track “Runaway.”


Pusha T refused to be a featured artist or just one-half of something so after an initial delayed his first solo record, “My Name is My Name” was release in October 2013 to great praise and a number 4 on the US Billboard 200, selling 74,000 copies in its first week. The bar was set pretty high for this rising star and many were questioning if he had peaked out and a return to Clipse was inevitable so does “King Push-Darkest Before Dawn: The Prelude” leave him at the round table or just another jester?

The SINGLES:



Untouchable:

A good introduction to the album, the single begins with a vocal sample from The Notorious B.I.G.’s off of Pudgee’s 1995 single “Think Big.” It’s most likely a tribute to him as Pusha T has been on record as stating that Biggie was the greatest rapper who’s ever lived in a 2015 interview with Rolling Stone. The first verse has probably one of the most standout lines in the entire album: “I am more U2, I am like Bono with the Edge. In Mexico, fuck Donald and his pledge.” The U2 reference is Pusha basically claiming that he wants to be ‘the biggest in the world’ as U2 was considered for decades, and reference to U2’s guitar Edge is definitely not lost, but also a double entendre for his advantage over the competition. The second line is an obvious blast at Donald Trump’s political rallying movements. The best part has to be the production work by Timbaland and Milli Beatz as the simple hypnotic loop does not take away from anything Pusha is laying down, this single is a must-buy for any true hip hop fan.

M.F.T.R.:

Now this single caught a lot of attention as it has a hook that makes one think it’ll be a hit in the clubs with it’s smooth beat and rhythm that will have one ‘waving at everything’. M.F.T.R. stands for More Famous than Rich, which is a reference to the current state of society in which social media and YouTube has made the average Joe famous without the influence of money. The single features The-Dream who performs the hook. This single is also a must-buy as it shows enough promise and intrigue more so than the final single on the album.

The Rest of the Album…



Intro:

When it comes to rap and hip hop albums, tracks labeled “Intro” are typically just skits or in the case of Mike Jones, him just repeating his phone number over and over again, which can lead to an auto skip for an music fan. In the case of this Intro it begins with Mr. Lee, who was previously featured on Clipse’s “We Got It for Cheap,” the intro on Hell Hath No Fury – which is widely regarded as one of the best album intros of all time. Then Pusha goes pretty hard in this track and drops a strong verse before going back to Mr. Lee who makes bilingual (in Spanish and English) references to the drug game and a “Pablito” (probably a reference to Pablo Escobar) before jumping to the next track “Untouchable.”

Favorite Song:



M.P.A.:

Since everyone else has two favorite songs on the album this album seems to garner two as well. Now there is greatness in the album’s singles; but “M.P.A.” must be an honorable mention as it features Kanye West, A$AP Rocky, and The-Dream, with production by Kanye and J.Cole. M.P.A. stands for ‘Money, Pussy, and Alcohol.’ When you hear the melody and the hook, It’ll become obvious why it is a ‘buy it’ as if it does not become a hit something is wrong in the industry.


Now let’s talk FIFA:

No, not the soccer organization or video game, though it can bring one about as much joy listening to the song as playing the game (not really), but is surprisingly less scandalous than the organization. The song is not very long clocking in at a mere 2:18, but it has a smooth beat with a sick hook, like a free kick from Lionel Messi – Sorry for all the soccer references… It’s one of four solo tracks on the album, and features production from Q-Tip of A Tribe Called Quest.
In all, Pusha T delivers what should have been a nominee for Best Hip Hop Album of 2015, if it wasn’t for its Mid-December release. This is the album people have been waiting for him to put out, as most people probably know him more for his featured work than his own albums. It’s been a long time coming for him, but this could be the album that defines his career – or series, as the album is labeled ‘the Prelude’. In all, I give Pusha T’s “King Push – Darkest Before Dawn: the Prelude” the rating of ‘Buy It’
BUY IT: “Untouchable”, “M.F.T.R.”, “M.P.A.”, “Got Em Covered”, “F.I.F.A.”
HEAR IT: “Crutches, Crosses, Caskets”, “Keep Dealing”, “Retribution”, “Sunshine”
IGNORE IT: “Intro”
Overall Opinion: BUY IT!
*As with all things, the opinions expressed are purely that of the author and should be taken as such. ** All images, music, and information used are for entertainment purposes. No copyright infringement intended.

Tuesday, January 14, 2014

My Top 5 Albums of 2013...

So with the new year passing by and re-solutions starting to falter in the minds of, well everyone, I felt in only fitting to now assemble my top 5 list of albums from 2013. Now I know you be thinking, "But Decoder, you already did a top 5 last month! Were you lying to us? Why play with our emotions?" To that I say, hold on. My last top 5 was to congratulate albums that were lesser known or that I personally "missed" in my year of listening. This list is in fact my opinion of those albums that went above and beyond the normalcy we saw this year, crafting songs that were not only awe-inspiring, but also non-traditional in their execution. Now, before we get started there are a few ground rules we should cover


1. Albums must have been released between January '13 to December '13

Sadly, this means that we will not be seeing any nominations for bands like Fun or The Killers as their albums were released the year before the time frame.

2. I shall only be choosing from albums I have listened to completely.

This means that albums such as Common Courtesy by  A Day To Remember, Yeezus by Kanye West, and Random Access Memories by Daft Punk will not be appearing as I have not listen to them in their entirety.

3. This is MY PERSONAL OPINION

If you disagree (which I'm sure a few of you may), please leave a comment stating what ones I may have list since this is a top 5 list of my own personal selection the amount of "axing off" albums has been tremendous.
With all of those out of the way let's begin with....

NUMBER 5: THE AFTERMAN: ASCENSION/DESCENSION  by COHEED AND CAMBRIA

Now, I may be cheating just a little on this first entry as yes, Ascension was released in September of 2012 but, the main reason for it appearing is purely semantics. The first half of this two-part album is a necessary listen to fully grasp the amazing pay off in the second. I would have put this higher on the list had this not been the case as the tale of Sirius Amory is as tragic as it is mesmerizing, showing Coheed and Cam




bria show no signs of slowing down after "finishing" their long-running storyline between albums. For the curious, you can find the full in-depth review available here:
Ascension
Descension
Notable Songs Include: Key Entity Extraction V: Sentry the Defiant, The Hard Sell, Away We Go, Iron Fist, and Dark Side of Me

NUMBER 4: SWAY by BLUE OCTOBER

My 1st pick for the top albums missed only ranks 4th on the list sadly, which should tell you how wondrous the rest of the albums on this list are. It's always great to hear from Blue October, it's like that friend you never really noticed you missed until they walk back in the door and start telling stories of their amazing adventures. That is if these amazing adventures took you an emotional roller coaster take you from solemnly calm, to sad, then happy, and everything in between. When Blue October takes the time to write an album they nearly every time release something of wonder and this album is no exception.
Notable Song Include: Sway, Bleed Out, Fear, Hard Candy, Things We Do At night, and Not Broken Anymore.


NUMBER 3: NOTES FROM THE UNDERGROUND by HOLLYWOOD UNDEAD

This band and I have a rocky history. To be honest I was incredibly hesitant to listen to their work in the first place as Swan Songs did not resonant with me in the slightest and while I found American Tragedy to be a step in the right direction, it did not convince me they were worth a round three. But, do to some pestering from a friend I gave the album a listen, and then another, and another, and... Dear god have I not been album to set this album down. While I did not cover this album on the website I do feel it is worth mentioning that the direction taken in the album is miles better that what I had come to expect from these guys. Yes, they still have their silly songs where they talk about "getting fucked up, put on your helmet and knee pads" but after listening to the heart-wrenching slower songs, it just blows my mind it took me this long to listen to it. I humbly apologize to Hollywood Undead for doubting their ability to craft well written songs and writing them off as immature wannabe-gangsters as the maturity in the lyrics of this album know no bounds.
Notable Songs Include: From The Ground, Lion, Rain, Believe, Up In Smoke, Outside, Medicine


NUMBER 2: BECAUSE THE INTERNET by CHILDISH GAMBINO

Ah yes, this was the album we just covered a week ago by the "rich kid asshole" we should all "paint as a villian." Donald Glover (aka Childish Gambino) had a lot to prove after his first major release Camp back in 2011. Now for those fans that thoroughly enjoyed the sound of Camp I can sympathize that Because The Internet took you through a jumbled mess of emotions as it is not what a lot of people were expecting from full-time comedian Donald Glover. This though is what works in its favor as the album itself starts out quite arrogant in its sound, painting the picture of a person who would be cool to hang out with but really not too deep of a human being. That is until the midway point when Gambino spins not only the album, but his whole style on its head, delivering an album that is both deeply philosophical and experimental in its story telling. You can check out the full review here
Because The Internet
Notable Songs Include: The Worst Guys, Telegraph ave, 3005, No Exit, Flight of the Navigator, Zealots of Stockholm, Pink Toes, Earth: the Oldest Computer, and Life: The Biggest Troll

NUMBER 1: VESSEL by TWENTY ONE PILOTS 

Now the list is coming to an end (hoo-ooo-ooo-oo oh oh ooo). In all seriousness though, this album blew my mind upon first listen. From the dark atmospheric tones, to the real-world storytelling lyrics Tyler Joseph paints across every song he rights, this album is a masterpiece upon masterpieces. If you have not had the great pleasure of listening to this album in its entirety I urge you take a good long car ride and just listen to how every song builds off of another, never truly repeating itself in what it is offering to the listener. I knew this would be my number 1 album of the year off the of the first listen and I'm glad to say that was the truth as nothing has been on the same scale this year. This album has something for everyone from the pop music listeners all the way to the EDM scensters, there is not a single bad song on this whole album running time. Pick it up in stores or load it up on Spotify yourself to experience the wonder that has become Twenty One Pilots.
For those interested the full review is located in the link below
Vessel
Notable Songs Include: Ode To Sleep, Migraine, House Of Gold, Car Radio, Screen, Fake You Out, Guns for Hands, Trees, and Truce


Alright for now that will be the end of the 2013 talk as a new year is upon us and is promising quite the eclectic taste of amazing music. I hope you enjoyed the list and as stated if I missed any please inform me in the comments section below. Next time we'll be back-to-basics with a ROCK D3C0D3D review. Till next time, stay beautiful and have a wonderful time!


As always please like, share, and comment below!

All the music covered above is available on iTunes, Amazon, and Spotify for your listening pleasure.

*As with all things, the opinions expressed our purely that of the author and should be taken as such. ** All images, music, and information used are for entertainment/review purposes. No copyright infringement intended.

Sunday, January 5, 2014

Because the Internet...

 History

So, let's talk about comedy for a second. For those of you that have not seen the fantastic TV series "Community" I highly recommend picking it up as it is not your typical TV sitcom and has fun using its own brand of referential humor. I bring up this show as the character Troy is played by none other than Donald Glover or as it relates to this review his "alter-ego" Childish Gambino. Now after watching Donald play in Community and noting his other comedic works writing for "30 Rock" and his own sketch comedy group "Derrick Comedy." It is very important to note that going into this I did not expect much other than a few parody songs in the vein of Weird Al or maybe a few songs that were so overtly serious that one could tell it was poking fun at the whole hip-hop genre itself. While half of this ended up being true I must say that the album Because the Internet took my by complete surprise with its contemplative lyrics, catchy instrumentation, and dark undertones.

Now as a side-note this may be a tad different from a majority of my review as:
1. I do not usually cover rap
2.  I will delving in a little deeper into the context of the song more-so then often
It is because of these two factor that if you would like to know my quick opinion on Because the Internet I would say it one of the best albums  have listened to since Vessels by Twenty One Pilots and highly recommend this to anyone who can appreciate music as there is something for everyone to enjoy. For further song recommendation please check the Buy It, Hear It, and Trash It sections below. Now without further ado

The Review

 Singles:

Sadly another album on this site that only has one single at the time of review. The ninth track on the album entitled "V. 3005" is the lead of single for Because the Internet and it is a pretty solid "party" song. The song starts as a seemingly pretty generic love song about having a fun/partying but slowly devolves into Gambino's feelings on life from fake friends, master plans, and even sanity. The production design is quite great and my only problem with the song is that it was not released earlier in the year as it screams "summer anthem."

Seriously though... would it kill you to attempt a smile?

The Rest of the Album...

Now the album itself is broken down into introductions and chapters with a majority of the songs being proceeded with extensions such as I, II, or V. The beginning of the album "Crawl" and "WORLDSTAR" are juxtapositions of what to expect from the album. They show both the deep existential thought process and party boy repertoire that weave together throughout the whole album. It is here we should talk about the production work through the album as it is superb. The low bass notes do not blast too hard in the musical landscape as to wash out other more interesting effects and instrumentation, which has become a common complaint in a variety of hip-hop/rap.

While the album can be incredibly serious to a point of exhaustion, it does allow for a few moments of pure hilarity. The funniest/most tongue-in-cheek song on the album is "IV. sweatpants" as Gambino plays up his status as a rapper who has money based on his talents though a majority of people would awesome that all rich people are assholes. At first listen one could confuse the song for another anthem of how awesome his life compared to yours but its during the second verse that he actually stops the music to explain "Fiskers don't make noise when they start up... just so you know," that one can tell he's purely playing up the stereotype for laughs. It is a much needed song as after this and the first verse of "V. 3005" things turn the darkness up to eleven as Gambino lets us deeper into his psyche. 

This would be the moment that this album completely turned around for me as I was ready to give up on it from the first listen. This is mainly because I was not understanding the lyrical content Gambino was laying on the tracks and decided to give it two songs to change my mind. The next chapter starts with "playing around before the party starts" which is just a calm piano line with people talking in the background but it slowly mesmerizes as "I.the party" starts playing. This song shows Gambino still talking about how amazing life is but has a more ominous tone to it, eventually ending with him screaming, "Get the fuck out of my house," establishing that he is sick of the facade and the mask is coming off.

"II. No Exit" probably the song most repeated in my car as it is such a left turn from the rest of the album. It has this deep synth phasing lead, techno drums, and washy piano that just beautifully paints the picture of Gambino's look on life. The hook from Miguel is just amazing and fit perfectly within the rap verses Gambino throws up on the walls regarding his feelings at night time and inability to truly rest. "I. Flight of the Navigator" along with the a majority of the ending tracks scream a Kanye West influence without the feeling that Gambino is just ripping off his idol. The brilliance in "I. Flight of the Navigator" lies in the strangeness of its progression starting within a spoken word verse (auto-tuned to helium heights) before allowing Gambino to show off the vocals chop he's merely teased at this point. The song has a semblance of loneliness and helplessness as he croons out, "Just hold me close my darling," a sentiment that has been touched upon throughout the rest of the album but not truly delved into until now.

Actually I take it back... Let's go back to that other thing...

"II. Zealots of Stockholm" first, can you a cooler sounding name for a song? Second, this song is an amazing example of starting a song in one direction and ending in a complete other since it starts as Gambino spots a beautiful young girl in a club (in the most ominous sounding verse yet). It slowly transforms into a telling of his feelings on the world now-a-days mentioning topics including god, same-sex marriage, love, and 3D printed guns. This huge song culminates in a line about missing "heaven by two inches," the two inches referencing greed and lust.

The ending chapter of the album still holds itself in the deep thought of the previous two but instead of the darkened, eerie musical score, we are presented more pulse pounding songs such as "I. pink toes" and "II. earth the oldest computer." These songs are majorly rapped and sang by Gambino himself relying very little on vocal samples and allowing one to see his true merit in both lyrical and hook engineering. If one is looking for an intense club sounding ballad about living forever be sure to check out "II. earth the oldest computer" but, it's the finale that Gambino truly solidifies the album as amazing.

Where most artists may drop the momentum made throughout the past two songs Gambino takes a literal "breather" before launching into his thought process for walking away from the comedy he's been safe in. The song, "III. life the biggest troll" itself can feel quite monotonous at moments compared to the majority of the soundscapes found on the album but, once Gambino opens his mouth the emotion that he draws upon makes this song abundantly engrossing. He details his lack of understanding where the line is between himself (Donald Glover) and his alter-ego he's created Childish Gambino and does something that was sorely missing in "My Evil Twin" by Eminem. He contemplates why he made the choice to create the alter-ego within the content and even takes us what the music itself has done for him and is a song that definitely succeeds in providing a fitting finale for the roller coaster of an album that proceeded it.

In all, Childish Gambino's Because the Internet is an intense, thought provoking, and well crafted album that deserves to be heard. The retelling of  his stories of loneliness, self-doubt, and "putting up a front" are all something that every one has either been through or is dealing with. While I know rap is not usually the forte here at "D3C0D3D" with a new year comes new change and we're hoping to expand our horizons going forward. We hope you enjoy the first article of 2014 and look forward to seeing you next time!

**Quick Note: The transition songs such as "the library" will not be judged as they are considered party of the song they proceed.

DECODED: 9.0 out of 10



As always please like, share, and comment below!

All the music covered above is available on iTunes, Amazon, and Spotify for your listening pleasure.


BUY IT: The Worst Guys, Telegraph ave, 3005, No Exit, Flight of the Navigator, Zealots of Stockholm, Pink Toes, Earth: the Oldest Computer, and Life: The Biggest Troll


 


HEAR IT:  Crawl, WORLDSTAR, Shadows, The Party, and Urn





TRASH IT:  NONE 

 


*As with all things, the opinions expressed our purely that of the author and should be taken as such.
** All images, music, and information used are for entertainment/review purposes. No copyright infringement intended.